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Altamont

the Rolling Stones, the Hells Angels, and the Inside Story of Rock's Darkest Day
Oct 14, 2016kneice rated this title 4.5 out of 5 stars
The new book “Altamont,” by Joel Selvin, takes me back to my senior year and the day of my SAT test, held the same day at San Jose State, in a cold lecture hall. I was very sad not to be able to attend such a monumental event at the time, but after reading this book, I’m mostly glad I missed the hourslong traffic jam and hiking cold miles to a bare plain of ranches east of Oakland. All to arrive in the midst of involuntary drugging going on and the Hells Angels beating on band members, roadies and audience members, one of whom did not survive a knife attack filmed on stage. The Altamont story has been mostly defined by the Maysles Brothers movie, “Gimme Shelter.” But Selvin, a veteran Bay Area music journalist, tells a much bigger, rounder story of what happened over the weeks and hours leading up to this pilgrimage of a good quarter million party-hardy neo-hippies, and the violent deaths of four of the pilgrims. He provides an exhaustive but careful telling of how the Hells Angels got involved and ultimately cut ties with the San Francisco counterculture. He makes a convincing argument that neither the headlining Rolling Stones nor the no-showing Grateful Dead were the same band after the festival, itself just the last of the major generation-shifting events of 1969: Nixon sworn in, the Santa Barbara oil spill, People’s Park and Stonewall riots, the moon landing, the Manson murders, more Vietnam protests and the Mai Lai Massacre. No wonder the dark story of Altamont still represents “the end of the ’60s” and the Bay Area hippie dream.