Six Women of A Dangerous Generation

Book - 2014
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By the 1920s, women were on the verge of something huge. Jazz, racy fashions, eyebrowraising new attitudes about art and sex--all of this pointed to a sleek, modern world, one that could shake off the grimness of the Great War and stride into the future in one deft, stylized gesture. The women who defined this the Jazz Age--Josephine Baker, Tallulah Bankhead, Diana Cooper, Nancy Cunard, Zelda Fitzgerald, and Tamara de Lempicka--would presage the sexual revolution by nearly half a century and would shape the role of women for generations to come.
In Flappers , the acclaimed biographer Judith Mackrell renders these women with all the color that marked their lives and their era. Both sensuous and sympathetic, her admiring biography lays bare the private lives of her heroines, filling in the bold contours. These women came from vastly different backgrounds, but all ended up passing through Paris, the mecca of the avant-garde. Before she was the toast of Parisian society, Josephine Baker was a poor black girl from the slums of Saint Louis. Tamara deLempicka fled the Russian Revolution only to struggle to scrape together a life for herself and her family. A committed painter, her portraits were indicative of the age's art deco sensibility and sexual daring. The Brits in the group--Nancy Cunard and Diana Cooper-- came from pinkie-raising aristocratic families but soon descended into the salacious delights of the vanguard. Tallulah Bankhead and Zelda Fitzgerald were two Alabama girls driven across the Atlantic by a thirst for adventure andartistic validation.

But beneath the flamboyance and excess of the Roaring Twenties lay age-old prejudices about gender, race, and sexuality. These flappers weren't just dancing and carousing; they were fighting for recognition and dignity in a male-dominated world. They were more than mere lovers or muses to the modernist masters--in their pursuit of fame and intense experience, we see a generation of women taking bold steps toward something burgeoning, undefined, maybe dangerous: a New Woman.

Publisher: New York : Sarah Crichton Books/Farrar, Straus and Giroux, 2014.
Edition: 1st American ed. --
ISBN: 9780374156084
Characteristics: xiii, 488 p. : ill.


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Sep 19, 2017

An easy read. I've learned much of 6 famous women living during the 1920s. I'm now curious to learn more.

Sep 05, 2014

This is a pretty detailed biography of these 6 women flappers. I liked that the author dedicated a lot of attention to their childhood - it really helps to understand where such kind of people come from. I barely knew these women ( excluding Josephine Baker - the most talented one) before I read the book.
I was always wondering why picture of Nancy could be placed among movie stars - obvious alcoholic with a haunted face expression. so now I know.:)
It is strange that the author presents these women as some kind of role models, as you can judge by the quote I gave here. I think the reason why nowadays we don't know them, and people don't talk about them is that the heroines of the book ( excluding Josephine Baker) had only a teeny tiny talent and became famous for a decade or so only because of their impudence and their readiness to pay ANY price for that moment of fame ( in case of Nancy - mere self-destruction). Sometimes that price they paid was VERY high. I don't think it was worth it.


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Sep 05, 2014

Even now their aspirations and battles have a resonance for us, and even now they hold up a standard against which our own vision and nerve can be judged

Sep 05, 2014

For years he and Tamara had enjoyed the most civilized of marriages. They took lovers, dined at different times and even lived in separate buildings.

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